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<title mode='escaped'>trentonpots</title>
<tagline mode='escaped'>trentonpots</tagline>
<link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/' />
<modified>2007-10-16T21:32:07Z</modified><link rel='service.feed' type='application/x.atom+xml' title='trentonpots' href='http://www.greatestjournal.com/users/trentonpots/data/atom' />  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>American Ceramic Circle Symposium, Cincinnati Art Museum, November 2-5, 2006</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:24980</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/24980.html' />
    <issued>2006-10-02T07:01:00</issued>
    <modified>2006-10-02T11:16:47Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>American Ceramic Circle&lt;br /&gt;Cincinnati Art Museum, Cincinnati, Ohio&lt;br /&gt;November 2-5, 2006&lt;br /&gt;&lt;br /&gt;Pre-symposium tour on Thursday to Northern Kentucky University for demonstration of raku firing, throwing, and burnishing by ceramist Ana England, lunch and tour at the Art Deco Museum Center, and preview of ceramics to be auctioned at Cincinnati Art Galleries.  Post-symposium tour on Sunday to private collections of chinese ceramics or Rockingham glazed wares.  The collectors&apos; tea on Friday afternoon will feature discussion of members&apos; pieces or questions at tables organized by country and ware (e.g., Italian maiolica, Chinese porcelain).  &lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&lt;br /&gt;Lectures:&lt;br /&gt;&quot;Early Chinese Export Teapots: The Story of How Unique Pots Lost Their Way&quot;&lt;br /&gt;Shirley Mueller&lt;br /&gt;&lt;br /&gt;&quot;Masterpieces of Potting and Decoration: Chinese Ceramics at the Taft Museum of Art&quot;&lt;br /&gt;Abby Schwarts&lt;br /&gt;&lt;br /&gt;&quot;Deciphering the Declaration of Independence on Chinese Export Porcelain&quot;&lt;br /&gt;Ron Fuchs&lt;br /&gt;&lt;br /&gt;&quot;The Haviland &amp; Co. Paris Auteuil Studio: A Landmark in the History of European Ceramics&quot;&lt;br /&gt;Laurens d&apos;Albis&lt;br /&gt;&lt;br /&gt;&quot;Americans in Limoges: Discovering the Haviland Design Books of 1850&quot;&lt;br /&gt;Robert Doares&lt;br /&gt;&lt;br /&gt;&quot;Ceramic Form: Meaning and Association&quot;&lt;br /&gt;Robin Emmerson&lt;br /&gt;&lt;br /&gt;&quot;Kitaro Shirayamadani, Rookwood Pottery, and American Japanism&quot;&lt;br /&gt;Elizabeth Fowler&lt;br /&gt;&lt;br /&gt;&quot;Nature, Wonder, and the Artistic Process&quot;&lt;br /&gt;Ana England&lt;br /&gt;&lt;br /&gt;&quot;Marblehead Pottery and the Art of Conventionalized Nature&quot;&lt;br /&gt;Marilee Meyer&lt;br /&gt;&lt;br /&gt;Tiffany&apos;s Favrile Bronze Pottery: A Closer Look&quot;&lt;br /&gt;Lindsy Parrott&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;$195/person registration for members ($210 for guests) includes two continental breakfasts, one lunch, two receptions, and the collectors&apos; tea.  Saturday dinner (incl. open bar, hors d&apos;oeuvres, and wine with dinner) is $75/person.  Pre-symposium tour $50, post-symposium tour $40.  Checks made payable to American Ceramic Circle; Visa and MasterCard accepted.&lt;br /&gt;&lt;br /&gt;American Ceramic Circle&lt;br /&gt;PO Box 224&lt;br /&gt;Williamsburg, VA 23187-0224&lt;br /&gt;&lt;br /&gt;For more information:&lt;br /&gt;Suzanne Hood&lt;br /&gt;acc@acc.hrcoxmail.com&lt;br /&gt;804.693.7649 voice&lt;br /&gt;&lt;br /&gt;The Cincinnati/Northern Kentucky International Airport is in Covington, Kentucky, approximately 13 miles south of Cincinnati; this airport is a hub for Delta.&lt;br /&gt;&lt;a href=&quot;http://www.cvgairport.com&quot;&gt;http://www.cvgairport.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Taxi service from airport to hotel is approximately $25.  Shuttle reservations are $15 one way or $25 round trip.&lt;br /&gt;1.800.990.8841&lt;br /&gt;&lt;br /&gt;Hilton Cincinnati Netherland Plaza&lt;br /&gt;35 West Fifth Street&lt;br /&gt;Cincinnati, Ohio 45202-2899&lt;br /&gt;voice 513.421.9100, fax 513.421.4291&lt;br /&gt;&lt;a href=&quot;http://www.cincinnatinetherlandplaza.hilton.com&quot;&gt;http://www.cincinnatinetherlandplaza.hi&lt;wbr /&gt;lton.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Rooms are $139/night (incl. tax), parking $18/night + 17% tax.  Reservations must be made by October 11 to receive the ACC conference rate.  &lt;br /&gt;&lt;br /&gt;New American Ceramic Circle membership must be supported by two existing members.&lt;br /&gt;&lt;a href=&quot;http://www.amercercir.org/newmembers.html&quot;&gt;http://www.amercercir.org/newmembers.ht&lt;wbr /&gt;ml&lt;/a&gt;&lt;br /&gt;</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Northern Ceramic Society Summer School, &quot;Blue and White in Context&quot;</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:24660</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/24660.html' />
    <created>2006-10-02T11:10:20Z</created>
    <issued>2006-10-02T07:01:00</issued>
    <modified>2007-01-30T22:03:33Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>NCS Summer School&lt;br /&gt;&quot;Blue and White in Context&quot;&lt;br /&gt;University of Chester, August 7-12, 2007&lt;br /&gt;&lt;br /&gt;This course will examine the origins and history of the use of cobalt in ceramics.  The popularity of blue and white decoration in Britain will be studied in the context of the imports of such wares from other countries and their subsequent production by local potters.  &lt;br /&gt;&lt;br /&gt;Highlights will include a trip to the Potteries Museum with an opportunity to see the reserve collection and to enjoy a handling and discussion session.  For some, this will include pots from the recently refurbished studio gallery.&lt;br /&gt;&lt;br /&gt;Course members may present their own research on one evening.  Members are invited to bring two pieces for display and discussion at the pot session.&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&lt;br /&gt;&lt;u&gt;Lectures include:&lt;/u&gt;&lt;br /&gt;&quot;Eastern Dreams: The Victorian Fascination with Blue and White&quot; and &lt;br /&gt;&quot;Beyond the Blue Horizon: Blue and White in the 20th Century and Beyond&quot;&lt;br /&gt;Paul Atterbury&lt;br /&gt;&lt;br /&gt;&quot;Jasper: A Different Blue and White Tradition&quot;&lt;br /&gt;Gaye Blake Roberts&lt;br /&gt;&lt;br /&gt;&quot;Blue and White Transfer-Printed Earthenware&quot;&lt;br /&gt;Robert Copeland&lt;br /&gt;&lt;br /&gt;&quot;&apos;. . . Always Preferring Blue and White . . .&apos;: Chinese Imports&quot; and&lt;br /&gt;&quot;Blue and White Plus&quot;&lt;br /&gt;Geoffrey Godden&lt;br /&gt;&lt;br /&gt;&quot;Getting the Blues: Cobalt Ornament on Tin-Glazed Earthenware&quot;&lt;br /&gt;Leslie Grigsby&lt;br /&gt;&lt;br /&gt;&quot;When, Why, and How: An Overview of Blue and White Ceramics&quot; and &lt;br /&gt;&quot;Conception and Consolidation: The First Twenty Years of English Blue and White Porcelain&quot;&lt;br /&gt;Maurice Hillis&lt;br /&gt;&lt;br /&gt;&quot;British and American Blue and White Porcelain, 1765-1805&quot;&lt;br /&gt;Rod Jellicoe&lt;br /&gt;&lt;br /&gt;&quot;Chinese Blue and White from the Tang to the Ming Dynasties&quot;&lt;br /&gt;Rose Kerr&lt;br /&gt;&lt;br /&gt;&quot;From Cupboard and Privy: Evidence of the American Taste for Blue Printed&quot;&lt;br /&gt;Louise Richardson&lt;br /&gt;&lt;br /&gt;&quot;Blue Painted Earthenware: Worthy Rival or Poor Relation?&quot;&lt;br /&gt;Lois Roberts&lt;br /&gt;&lt;br /&gt;Course chairman: Maurice Hillis&lt;br /&gt;Course organizer: Lyn Hillis&lt;br /&gt;&lt;br /&gt;The course begins at 6:00 pm on Tuesday, August 7, with a wine reception and ends after breakfast on Sunday, August 12.  &lt;br /&gt;&lt;br /&gt;The University of Chester is cloes to the center of the fascinating city of Chester, with its Roman remains, medieval walls, and unique Rows.  Chester is easily reached by road and rail.  Manchester International Airport is also within easy reach.  There is ample car parking available on campus.  &lt;br /&gt;&lt;br /&gt;Accommodation is in single student-style study bedrooms with very simple en suite facilities.  The accommodation blocks, lecture theater, and dining area are all close together and set amongst attractive gardens.  A small number of somewhat enhanced bedrooms may be available in the college&apos;s Gladstone area at a supplementary charge.  Please contact the organizer for more information.&lt;br /&gt;&lt;br /&gt;Residential cost £360 per person, including accommodation, all meals except Thursday lunch, tea and coffee breaks, travel, admission costs for the visit, and tuition fees.  Nonresidential cost £260 per person, including all of the above except bed and breakfast.  Payment by personal cheque, banker&apos;s draft, or traveller&apos;s cheque, drawn in £ sterling on a UK bank account.  Payment by any other method and in any other currency incurs significant bank charges, which will have to be added to the basic fee.  Please contact organizer for advice about this before making any such payments.  &lt;br /&gt;&lt;br /&gt;It is advisable to take out personal insurance in case you should be prevented from attending the summer school.  Early booking is recommended as places are limited.  Final payment must be received by July 1, 2007.  &lt;br /&gt;&lt;br /&gt;To reserve a place please send name, address, telephone number, email address, and any dietary or other specific requirements with your cheque in £ sterling made payable to The Northern Ceramic Society for 1 or more residential places.  &lt;br /&gt;&lt;br /&gt;Summer School Organiser&lt;br /&gt;9 Newton Lane&lt;br /&gt;Chester CH2 3RB&lt;br /&gt;U.K.&lt;br /&gt;</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Wedgwood International Seminar 52, &quot;The Wedgwood World,&quot; Baltimore, May 23-26, 2007</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:24377</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/24377.html' />
    <issued>2006-07-19T07:57:00</issued>
    <modified>2006-07-19T12:28:37Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>The 52nd Wedgwood International Seminar on &quot;The Wedgwood World,&quot; including Wedgwood and his associates, will be held May 23-26, 2007, in Baltimore, Maryland, at the Tremont Plaza Hotel.  &lt;br /&gt;&lt;br /&gt;&lt;u&gt;Talks&lt;/u&gt;&lt;br /&gt;&quot;Thomas Bentley&quot;&lt;br /&gt;Gaye Blake Roberts&lt;br /&gt;&lt;br /&gt;&quot;Thomas Byerley&quot;&lt;br /&gt;Lynn Miller&lt;br /&gt;&lt;br /&gt;&quot;Wedgwood Glass&quot;&lt;br /&gt;Susan Tobin&lt;br /&gt;&lt;br /&gt;&quot;Ladies: Their Lives, Times, &amp; Travel&quot;&lt;br /&gt;Brian Dolan&lt;br /&gt;&lt;br /&gt;&quot;Hackwood: The Man &amp; His Art&quot;&lt;br /&gt;Nancy Ramage&lt;br /&gt;&lt;br /&gt;&quot;Norman Wilson&quot;&lt;br /&gt;Sharon Gater&lt;br /&gt;&lt;br /&gt;&quot;Medallions for the Many&quot;&lt;br /&gt;Monie Kanter&lt;br /&gt;&lt;br /&gt;&quot;Appraisals &amp; Auctions&quot;&lt;br /&gt;Stuart Slavid&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Other highlights&lt;/u&gt;&lt;br /&gt;Walters Art Museum visit &lt;br /&gt;commentary by Gaye Blake Roberts, Lynn Miller, &amp; Sharon Gater&lt;br /&gt;&lt;br /&gt;see ceramics at the Baltimore Museum of Art &lt;br /&gt;commentary by Diana Edwards &amp; David Curry&lt;br /&gt;&lt;br /&gt;The Tremont Plaza Hotel is at 222 St. Paul Place in central Baltimore.  Rate $139/day plus tax double or single.  Hotel reservation deadline April 25, 2007.  Call the Tremont Monday through Friday 8 to 5 at 1.800.873.6668 and specify WEDGWOOD for group rate.  Fly into Baltimore/Washington Airport, take Super Shuttle to hotel, about $15; must buy shuttle tickets in advance at 1.800.BLUEVAN.  Taxi fare $25-35.  &lt;br /&gt;&lt;br /&gt;Registration $490 (payable in two installments of $245; includes two dinners, annual banquet, museum visits , gift, exhibit, receptions, speakers, and publication).  Final payment due April 1.  Payments refundable until May 18.  All participants must be WIS members.  Contact membership chair Mickey Hightower at 1.800.801.8171.  Registration information Keith McLeod 1.416.489.7761.&lt;br /&gt;&lt;br /&gt;Send registration and payment by check payable to WIS-52 to&lt;br /&gt;Mr. E. Knowles&lt;br /&gt;1616 Hollins Street&lt;br /&gt;Baltimore, MD 21223</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Northern Ceramic Society Winter Weekend, Collectors &amp; Collecting, January 26-28, 2007, Manchester</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:24172</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/24172.html' />
    <created>2006-07-19T12:11:01Z</created>
    <issued>2006-07-19T07:57:00</issued>
    <modified>2006-07-19T12:12:06Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>The Northern Ceramic Society presents its 4th annual winter weekend on the topic &quot;Collectors &amp; Collecting,&quot; to be held at the University of Manchester from January 26-28, 2007.&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Talks&lt;/u&gt;&lt;br /&gt;&quot;Lady Charlotte Schreiber: The Doyenne of Ceramic Collectors&quot;&lt;br /&gt;Ann Eatwell&lt;br /&gt;&lt;br /&gt;&quot;A Dealer&apos;s View of Collectors and Collecting&quot;&lt;br /&gt;Geoffrey Godden&lt;br /&gt;&lt;br /&gt;&quot;Augustus the Strong and &apos;La Maladie de Porcelaine&apos;&quot;&lt;br /&gt;Errol Manners&lt;br /&gt;&lt;br /&gt;&quot;Dr J. W. L. Glaisher (1848-1928) and His Collection in the Fitzwilliam Museum&quot;&lt;br /&gt;Julia Poole&lt;br /&gt;&lt;br /&gt;&quot;&apos;A Roomful of Crockery&apos;: H. R. Marshall and His Collection of Early Worcester&quot;&lt;br /&gt;Dinah Reynolds&lt;br /&gt;&lt;br /&gt;&quot;&apos;I&apos;ve Got Three of Those!&apos;: Bernard Watney as a Collector&quot;&lt;br /&gt;Simon Spero&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Other highlights&lt;/u&gt;&lt;br /&gt;&quot;A Box, A Fox, and Two Goats: A Collector&apos;s Reverie&quot;&lt;br /&gt;Simon Spero&lt;br /&gt;Friday evening&lt;br /&gt;&lt;br /&gt;&quot;The Highest Prices: The Market in Ceramics, Past and Present, East and West&quot;&lt;br /&gt;Errol Manners&lt;br /&gt;Saturday evening&lt;br /&gt;&lt;br /&gt;Pot session&lt;br /&gt;&lt;br /&gt;Chancellors is the University of Manchester&apos;s residential conference center.  Accommodation is in single bedrooms with en-suite bathroom, TV, telephone, and tea/coffee making facilities.  The center is 3 mi from Manchester city center and easily reached by road, rail, or air and has ample parking.  &lt;br /&gt;&lt;br /&gt;Residential registration £199 (includes accommodation, tuition, tea/coffee, meals, wine reception); nonresidential £189.  Nonrefundable deposit £30, balance due December 1.  Early booking recommended.  Personal cheques in pounds sterling only.&lt;br /&gt;&lt;br /&gt;Contact&lt;br /&gt;Seminar Organiser&lt;br /&gt;9 Newton Lane&lt;br /&gt;Chester CH2 3RB&lt;br /&gt;UK</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Northern Ceramic Society weekend, Carlisle, England, March 30-April 1, 2007</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:24007</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/24007.html' />
    <issued>2006-07-18T05:28:00</issued>
    <modified>2006-07-18T09:40:13Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>The Northern Ceramic Society sponsors &quot;A Feast of Porcelain &amp; Pottery&quot; with Dr Geoffrey Godden &amp; guest speakers&lt;br /&gt;Tullie House Museum &amp; The Crown &amp; Mitre Hotel&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Talks&lt;/u&gt;&lt;br /&gt;An introduction to the main London porcelain factories: Chelsea, Bow, Vauxhall, and Isleworth&lt;br /&gt;&lt;br /&gt;18th century creamers: their variety &amp; characteristics&lt;br /&gt;&lt;br /&gt;Early English studio pottery: The Martin Brothers&lt;br /&gt;&lt;br /&gt;130 years of underglaze blue &amp; overglaze printing at Coalport&lt;br /&gt;&lt;i&gt;with Roger Edmundson&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Coalbrookdale floral encrusted porcelain&lt;br /&gt;&lt;i&gt;with Gordon Bushnell&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Late 18th century Staffordshire figures&lt;br /&gt;&lt;i&gt;with Dr John Black&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Plus identification session&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Residential rate&lt;/b&gt; (includes bed/breakfast, lunches, evening meals, lectures, refreshments, en-suite room) £220 single plus £15 extra per person per night.  Hotel 5 minutes flat walk to Tullie House.  &lt;b&gt;Nonresidential rate&lt;/b&gt; (lectures, coffee/tea, scones, biscuits, and lunch on Saturday and Sunday) £120 per person.  Deposit £60 nonresidents and £120 full residents.&lt;br /&gt;&lt;br /&gt;Contact&lt;br /&gt;Wendy Mitton&lt;br /&gt;Quarrybeck House&lt;br /&gt;Brampton, Cumbria CA8 2EY&lt;br /&gt;UK</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Transferware Collectors Club 7th annual meeting, Philadelphia, October 19-22, 2006</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:23669</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/23669.html' />
    <created>2006-07-17T23:56:52Z</created>
    <issued>2006-07-17T19:27:00</issued>
    <modified>2006-07-18T09:43:49Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>The 7th annual Transferware Collectors Club meeting will span three nights and four days in Philadelphia from October 19-22, 2006.  &lt;br /&gt;&lt;br /&gt;&lt;u&gt;Topics&lt;/u&gt;&lt;br /&gt;Historic Views on Pink Staffordshire&lt;br /&gt;&lt;br /&gt;Richard Jordan, the Preacher and the Pattern&lt;br /&gt;&lt;br /&gt;Philadelphia, the Little Athens of the Federal Period&lt;br /&gt;&lt;br /&gt;Selling Your Collection through the Auction Process (presented by Freeman&apos;s, America&apos;s oldest auction house)&lt;br /&gt;&lt;br /&gt;Historical Liverpool Pottery&lt;br /&gt;&lt;br /&gt;Staffordshire Exports to America, 1806-1830: The Hard Facts&lt;br /&gt;&lt;br /&gt;In the Footsteps of Lewis &amp; Clark: Transferware Invades the American West&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Other highlights&lt;/u&gt;&lt;br /&gt;Guided tour of the Philadelphia Museum of Art, including a view of the Pennsylvania German collection, the Bonnin &amp; Morris and Tucker collections of American porcelain, and selected pieces from the museum&apos;s transferware collection&lt;br /&gt;&lt;br /&gt;Visit to the historic Fairmount Water Works&lt;br /&gt;&lt;br /&gt;Bus tour of Fairmount Park houses and sites commemorated on transferware pottery&lt;br /&gt;&lt;br /&gt;Dinner at the historic City Tavern in old town Philadelphia&lt;br /&gt;&lt;br /&gt;The optional Thursday schedule includes a visit to two collections in Lancaster County: the Fred and Ruth Buch collection, featuring the Landing of Lafayette pattern, and the Bill and Terry Kurau collection; travel and lodging for Thursday are not included in the overall price.  &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Residential rates&lt;/b&gt; (includes 2 dinners, 3 continental breakfasts, 1 boxed lunch at the Hilton Garden Inn, 1100 Arch Street, all taxes and gratuities) range from $810 for a double (1 person) to $1245 for a junior suite (2 people).  &lt;b&gt;Day tripper rates&lt;/b&gt; $140 for meeting, tours, and sale (incl. tax but no hotel, no meals), $15 for Sunday sale only (members only), meal rates additional.  Undercover parking in the hotel garage is $21/day. &lt;br /&gt;&lt;br /&gt;Registration, including the show and sale, is for members only.  &lt;br /&gt;Membership $30/year&lt;br /&gt;&lt;a href=&quot;http://www.transcollectorsclub.org/membership.htm&quot;&gt;http://www.transcollectorsclub.org/memb&lt;wbr /&gt;ership.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Registration form:&lt;br /&gt;&lt;a href=&quot;http://www.transcollectorsclub.org&quot;&gt;http://www.transcollectorsclub.org&lt;/a&gt;&lt;wbr /&gt;&lt;br /&gt;&lt;br /&gt;Checks payable to TCC should be sent to &lt;br /&gt;Peggy &amp; Fred Sutor&lt;br /&gt;120 Bridle Lane&lt;br /&gt;Lower Gwynedd, PA 19002&lt;br /&gt;No refunds after September 1.</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>The Canton Connection: Decorative Arts of the China Trade, Historic Deerfield, September 15-17, 2006</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:23376</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/23376.html' />
    <created>2006-07-15T01:17:26Z</created>
    <issued>2006-07-14T20:57:00</issued>
    <modified>2006-07-18T09:46:31Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>Historic Deerfield will host a symposium in conjunction with the exhibit, &quot;The Canton Connection: Art and Commerce of the China Trade, 1784-1860,&quot; and its accompanying catalog.  A group of internationally renowned curators, dealers, and scholars will lecture on China trade paintings, porcelain, furniture, and interiors.  Workshops on Friday, September 15, will include fakes and forgeries in Chinese export porcelain and interaction between Chinese ceramics and European wares.&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Ceramic-related speakers&lt;/u&gt;&lt;br /&gt;&quot;Good, Better, Best: The Connoisseurship of China Trade Paintings&quot;&lt;br /&gt;Carl Crossman&lt;br /&gt;&lt;br /&gt;&quot;Made in China: Export Porcelain from the Leo and Doris Hodroff Collection at Winterthur&quot;&lt;br /&gt;Ron Fuchs&lt;br /&gt;&lt;br /&gt;&quot;Chinese Export Art for the Western Interior&quot;&lt;br /&gt;Christiaan Jörg&lt;br /&gt;&lt;br /&gt;&quot;The Canton Connection: Art and Commerce of the China Trade&quot;&lt;br /&gt;Amanda Lange&lt;br /&gt;&lt;br /&gt;&quot;New Theories for New Acquisitions at the Peabody Essex Museum&quot;&lt;br /&gt;William Sargent&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Workshops&lt;/u&gt;&lt;br /&gt;&quot;Chinese Export Porcelain Connoisseurship: Fakes and Forgeries&quot;&lt;br /&gt;William Sargent&lt;br /&gt;&lt;br /&gt;&quot;Chinese Export Art in the Marketplace&quot;&lt;br /&gt;Carl Crossman&lt;br /&gt;&lt;br /&gt;&quot;East-West Interactions in Ceramics: Chinese Porcelains and Their Imitations&quot;&lt;br /&gt;Christiaan Jörg&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Registration rates&lt;/b&gt; $350 for Historic Deerfield member (includes all lectures, two Deerfield Inn lunches, one gala reception, one cocktail party, one Deerfield Inn dinner, coffee and tea breaks, guided tours of the exhibit, &quot;All of Deerfield&quot; admission ticket, and &lt;i&gt;Historic Deerfield&lt;/i&gt; magazine);  &lt;br /&gt;nonmember $380 (includes all of above plus an individual museum membership for one year).  Registration does not include lodging.&lt;br /&gt;&lt;br /&gt;Workshops $25 each&lt;br /&gt;Friday buffet luncheon $15&lt;br /&gt;Payment by check, Visa, Mastercard, American Express&lt;br /&gt;Accommodations available at the Deerfield Inn, 413.774.5587, or call 413.775.7214 for local bed and breakfasts, other lodging&lt;br /&gt;&lt;br /&gt;Contact&lt;br /&gt;Amanda Lange 413.775.7206 or lange@historic-deerfield.org&lt;br /&gt;Canton Connection Symposium&lt;br /&gt;Historic Deerfield, Inc.&lt;br /&gt;Box 321&lt;br /&gt;Deerfield, MA 01342&lt;br /&gt;413.775.7214&lt;br /&gt;&lt;a href=&quot;http://www.historic-deerfield.org&quot;&gt;http://www.historic-deerfield.org&lt;/a&gt;</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Northern Ceramic Society Summer School: Looking at the Evidence, August 8-13, 2006</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:23102</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/23102.html' />
    <created>2006-07-14T00:47:44Z</created>
    <issued>2006-07-13T20:28:00</issued>
    <modified>2006-07-18T09:49:31Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>The Northern Ceramic Society will examine what documents, archaeology, scientific analysis, and connoisseurship can contribute to our understanding of ceramics and ceramic history and will discuss the interpretation of such evidence in a variety of contexts.  Thorny topics of fakes, forgeries, and redecoration also will be addressed.&lt;br /&gt;&lt;br /&gt;Members will have the opportunity to examine and handle sherds from a number of excavations, including three 18th century porcelain factories.  Participants will visit Rode Hall, the home of the Wilbrahams since 1669, with its splendid collection of ceramics and wonderful gardens.&lt;br /&gt;&lt;br /&gt;One evening will be set aside for members to present their own research.  Members are invited to bring two pieces for display and discussion at the pot session.&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Lectures include&lt;/u&gt;&lt;br /&gt;&quot;Absence of Evidence Is Not Evidence of Absence: Unearthing Staffordshire Pottery&quot;&lt;br /&gt;David Barker&lt;br /&gt;&lt;br /&gt;&quot;Good Cross Chapel: Looking for the Evidence&quot;&lt;br /&gt;John Bussey&lt;br /&gt;&lt;br /&gt;&quot;Ceramic Analysis: How To Be a Healthy and Challenging Skeptic!&quot;&lt;br /&gt;Simon Chenery&lt;br /&gt;&lt;br /&gt;&quot;Useful Knowledge?&quot;&lt;br /&gt;Robin Emmerson&lt;br /&gt;&lt;br /&gt;&quot;Retail Archaeology: Purchasing the Evidence&quot;&lt;br /&gt;Peter Francis&lt;br /&gt;&lt;br /&gt;&quot;How To Write a Bible: Collecting and Assessing the Evidence&quot;&lt;br /&gt;Geoffrey Godden&lt;br /&gt;&lt;br /&gt;&quot;An American Pottery in Wales? Looking at the Evidence&quot;&lt;br /&gt;Jonathan Gray&lt;br /&gt;&lt;br /&gt;&quot;What Is Industrial Scottish Pottery?&quot;&lt;br /&gt;George Haggarty&lt;br /&gt;&lt;br /&gt;&quot;The Green Green Glass of Chrome&quot;&lt;br /&gt;Pat Halfpenny&lt;br /&gt;&lt;br /&gt;&quot;The Distribution and Consumption of British Ceramics in North America: Unique Insights from Archaeology&quot;&lt;br /&gt;Terry Majewski&lt;br /&gt;&lt;br /&gt;&quot;Staffordshire&apos;s Trade with the USA, 1806-1833: The Hard Facts&quot;&lt;br /&gt;Roger Pomfret&lt;br /&gt;&lt;br /&gt;&quot;Redecoration: When and Where&quot;&lt;br /&gt;John Sandon&lt;br /&gt;&lt;br /&gt;&quot;Chetham &amp; Woolley, Forgotten Master Potters: The Evidence&quot;&lt;br /&gt;Colin Wyman&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&lt;br /&gt;The University of Chester is close to the center of the fascinating city of Chester, with its Roman remains, medieval walls, and unique Rows.  Chester is easily accessible by road and rail.  Manchester International Airport is also within easy reach.  There is ample car parking available on campus.&lt;br /&gt;&lt;br /&gt;Accommodation is in single student-style study bedrooms with simple en suite facilities.  The accommodation blocks, lecture theater, and dining area are all close together and set amongst attractive gardens.  A small number of conference-style bedrooms may be available in the college&apos;s Gladstone area at a supplementary charge.  Please contact the organizer.&lt;br /&gt;&lt;br /&gt;The course begins at 6:00 pm on Tuesday, August 8th, with a wine reception and concludes after breakfast on Sunday, August 13th.  &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Residential rate&lt;/b&gt; (includes accommodation, all meals, tea and coffee breaks, travel and admission costs for the visit, and tuition fees) £340 per person; &lt;b&gt;nonresidential&lt;/b&gt; (includes all of the above except bed and breakfast) £250 per person.&lt;br /&gt;Payment by personal check, banker&apos;s draft, or traveller&apos;s check in pounds sterling on a UK bank account.  Final payment was due July 1, 2006.  There were a few spaces open at the end of June.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Contact&lt;br /&gt;Lyn Hillis&lt;br /&gt;Summer School Organiser&lt;br /&gt;9 Newton Lane&lt;br /&gt;Chester CH2 3RB&lt;br /&gt;UK</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Pacific Coast Ceramics Seminar, September 1-3, 2006, Victoria, B.C.</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:22805</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/22805.html' />
    <issued>2006-06-21T14:23:00</issued>
    <modified>2006-06-21T18:29:42Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <category term='conference' />
    <category term='meetings' />
    <content type='text/html' mode='escaped'>The 4th annual Pacific Coast Ceramics Seminar will be held the weekend of September 1-3, 2006, in Victoria, British Columbia, Canada.&lt;br /&gt;&lt;br /&gt;A wide variety of lectures on: &lt;br /&gt;Pottery Fit for a Queen&lt;br /&gt;A Concise Chronology of Early Meissen Porcelain&lt;br /&gt;Studio Pottery: 20th Century Phenomenon&lt;br /&gt;The Greatest Show on Earth: The Great Exhibition of 1851&lt;br /&gt;Art Pottery&lt;br /&gt;French Soft Paste Porcelain&lt;br /&gt;The French Influence on British Ceramics&lt;br /&gt;Deceit, Deception, and Discovery: The Curator as Detective&lt;br /&gt;The First English Porcelains: The Pioneers of the 1740s&lt;br /&gt;Images from the Past: English Earthenware Figures, 1740-1880&lt;br /&gt;Lustres in the 20th Century&lt;br /&gt;Geoffrey Godden Looks at Teapots&lt;br /&gt;&lt;br /&gt;More information:&lt;br /&gt;Pacific Coast Seminars, Box 56546, Burnaby, B.C., V3J 7W2 Canada&lt;br /&gt;604.444.0808 voice&lt;br /&gt;pacificcoastseminars@shaw.ca&lt;br /&gt;&lt;a href=&quot;http://www.pacific-coast-seminars.com&quot;&gt;http://www.pacific-coast-seminars.c&lt;wbr /&gt;om&lt;/a&gt;</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Hampshire County Museums teapots online</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:22656</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/22656.html' />
    <issued>2006-06-21T14:17:00</issued>
    <modified>2006-06-21T18:21:05Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <category term='virtual type collection' />
    <content type='text/html' mode='escaped'>The Hampshire County Council Museums Service now has all of its catalogued teapots online.  These are mostly English but include Yixing and other Chinese pots dating from the 1690s to the present.  Marks and other details are shown.&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.hants.gov.uk/museum&quot;&gt;http://www.hants.gov.uk/museum&lt;/a&gt;&lt;br /&gt;Click on &quot;Our Collections&quot; to access searchable database.  Search by stoneware, porcelain, or earthenware bodies or Search All to browse.</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Links to collectors&apos; clubs</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:22307</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/22307.html' />
    <created>2006-03-05T10:37:29Z</created>
    <issued>2006-03-05T05:25:00</issued>
    <modified>2006-03-05T10:38:29Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <category term='collectors' />
    <content type='text/html' mode='escaped'>&lt;a href=&quot;http://news.collectors.org/Show_News.asp?z=1016&quot;&gt;http://news.collectors.org/Show_News.as&lt;wbr /&gt;p?z=1016&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;Thanks to Abe A.!</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Making Pots in Trenton, 1775-1950 POTS conference, April 8, 2006, Newark, N.J.</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:22154</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/22154.html' />
    <issued>2006-01-24T11:51:00</issued>
    <modified>2006-01-24T16:53:20Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>The updated schedule for the POTS conference in Newark is on the POTS website:&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.potteriesoftrentonsociety.org/events/symposium3.html&quot;&gt;http://www.potteriesoftrentonsociety.or&lt;wbr /&gt;g/events/symposium3.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Only $20-25 advance registration!</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>University of Richmond Museums exhibits</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:21839</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/21839.html' />
    <created>2006-01-16T02:17:14Z</created>
    <issued>2006-01-15T21:13:00</issued>
    <modified>2006-01-16T02:19:04Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <category term='exhibit' />
    <content type='text/html' mode='escaped'>Both at the Lora Robins Gallery of Design from Nature&lt;br /&gt;&lt;br /&gt;&quot;Traditions in Miniature: The Louise Westbrook Collection of Chinese Ceramics&quot;&lt;br /&gt;through Sept. 24, 2006&lt;br /&gt;&lt;br /&gt;This exhibition features miniature ceramic artworks dated between from 3,000 B.C.E. and A.D. 1911, selected from more than 130 pieces from the Louise Westbrook Collection of Chinese ceramics. A variety of forms used for ritual, functional, and decorative purposes are chronologically displayed to examine the influence of imperial taste on ceramic design and style.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Parian Porcelain: A Nineteenth-Century Passion &lt;br /&gt;April 7 to September 17, 2006 &lt;br /&gt;&lt;br /&gt;Developed in the mid-nineteenth century, European and American parian ware was notable for its affordability that allowed the middle class to bring sculpture into their homes. Featuring works from the permanent collection, this exhibition will present an overview of parian and will include additional information such as the process of making parian, major U.S. makers, and the history of American collectors of parian ware in the nineteenth and twentieth centuries. &lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://museums.richmond.edu/lrg/&quot;&gt;http://museums.richmond.edu/lrg/&lt;/a&gt;</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Potteries of Trenton Society symposium on Making Pots, April 8, 2006</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:21345</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/21345.html' />
    <created>2005-12-26T18:51:20Z</created>
    <issued>2005-12-26T13:46:00</issued>
    <modified>2005-12-26T18:53:10Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <category term='potteries of trenton society' />
    <category term='conference' />
    <content type='text/html' mode='escaped'>The Potteries of Trenton Society and the New Jersey Historical Society announce their 2006 Symposium&lt;br /&gt;&lt;br /&gt;&quot;Making Pots in Trenton, 1775-1950&quot; &lt;br /&gt;&lt;br /&gt;Ever wonder how your Trenton pots were made? This is your opportunity to learn about clay-forming techniques, kilns and firing practices, glazes and decorating skills, and shop organization as practiced in Trenton, New Jersey, from the early days of William Richards’s stoneware and John McCully’s redware to John Maddock’s hotelware to Lenox’s fine china dinnerware.&lt;br /&gt;&lt;br /&gt;April 8, 2006&lt;br /&gt;at The New Jersey Historical Society&lt;br /&gt;52 Park Place, Newark, New Jersey&lt;br /&gt;&lt;br /&gt;Preliminary Program&lt;br /&gt;&lt;br /&gt;9:00 Registration and continental breakfast&lt;br /&gt;&lt;br /&gt;9:30 Welcome&lt;br /&gt;&lt;br /&gt;10:00-12:30 Demonstration and lectures with questions following each presentation&lt;br /&gt;&lt;br /&gt;Potter (to be determined), Demonstration of wheel techniques &lt;br /&gt;&lt;br /&gt;Speaker (to be determined), Factory clay forming techniques&lt;br /&gt;&lt;br /&gt;Richard Hunter, Shop Organization from Pottery to Factory&lt;br /&gt;&lt;br /&gt;12:30-2:00 Lunch Break&lt;br /&gt;&lt;br /&gt;2:00-4:30 Lectures with questions following each presentation&lt;br /&gt;&lt;br /&gt;Bill Liebeknecht, Kilns&lt;br /&gt;&lt;br /&gt;Rebecca White, Firing Practices&lt;br /&gt;&lt;br /&gt;Ellen Denker, Decorating Techniques&lt;br /&gt;&lt;br /&gt;4:30-5:00 Wine Reception&lt;br /&gt;&lt;br /&gt;See &lt;a href=&quot;http://www.potteriesoftrentonsociety.org&quot;&gt;http://www.potteriesoftrentonsociety.or&lt;wbr /&gt;g&lt;/a&gt; in coming months for details</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>English Ceramics Study Group of Philadelphia</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:21009</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/21009.html' />
    <issued>2005-10-31T13:32:00</issued>
    <modified>2005-10-31T18:32:13Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <category term='meetings' />
    <category term='groups' />
    <content type='text/html' mode='escaped'>The English Ceramics Study Group of Philadelphia celebrates its 35th year with this fall season.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;http://pictures.greatestjournal.com/userimg/5131330/64595&quot; width=&quot;580&quot; height=&quot;750&quot;&gt;</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Talking about ceramics</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:20752</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/20752.html' />
    <created>2005-10-31T18:27:39Z</created>
    <issued>2005-10-31T13:16:00</issued>
    <modified>2007-10-16T21:32:07Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <category term='meetings' />
    <content type='text/html' mode='escaped'>&lt;i&gt;Winterthur Ceramics in America Conference 2006&lt;/i&gt;&lt;br /&gt;Doing the Continental: European Ceramics as Design Inspirations&lt;br /&gt;April 21-22, 2006&lt;br /&gt;Winterthur Museum, Garden, and Library&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Highlights&lt;/u&gt;&lt;br /&gt;Geoffrey Godden, &quot;Continental Influences on English Porcelain in the mid-1800s&quot;&lt;br /&gt;&lt;br /&gt;Beverly Straube, &quot;Catching the Drift: Continental Ceramics from the Ground&quot;&lt;br /&gt;&lt;br /&gt;Deborah Skinner, &quot;The French Connection: Continental Influences on &lt;br /&gt;English Ceramics of the Victorian Period&quot;&lt;br /&gt;&lt;br /&gt;Sebastian Kuhn, &quot;The Story of Utz: Intrigue in the Meissen World&quot;&lt;br /&gt;&lt;br /&gt;Stephen Harrison, &quot;European Influences on American Ceramic Tableware&quot;&lt;br /&gt;&lt;br /&gt;Registration $250 members, $295 nonmembers, $175 students&lt;br /&gt;&lt;br /&gt;Brochure in pdf format:&lt;br /&gt;&lt;a href=&quot;http://www.winterthur.org/calendar/calendar.asp?Month=4&amp;Year=2006&quot;&gt;http://www.winterthur.org/calendar/cale&lt;wbr /&gt;ndar.asp?Month=4&amp;Year=2006&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Henry Glassie lecture in Philadelphia&lt;/i&gt;&lt;br /&gt;Folklorist Henry Glassie on &quot;Folk Potters of the American South&quot;&lt;br /&gt;5:00 pm &lt;br /&gt;book signing of Glassie&apos;s &lt;i&gt;The Potter&apos;s Art&lt;/i&gt; follows&lt;br /&gt;&lt;br /&gt;Material Culture&apos;s 10th anniversary&lt;br /&gt;4700 Wissahickon Avenue&lt;br /&gt;Philadelphia, PA 19144&lt;br /&gt;November 5, 2005 Saturday&lt;br /&gt;7:00 pm to midnight&lt;br /&gt;RSVP 215.849.8030 or&lt;br /&gt;&lt;a href=&quot;http://www.materialculture.com&quot;&gt;http://www.materialculture.com&lt;/a&gt;</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>English Ceramic Circle 2005/2006 schedule</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:20071</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/20071.html' />
    <created>2005-10-26T20:15:08Z</created>
    <issued>2005-10-26T16:05:00</issued>
    <modified>2005-10-26T20:16:56Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <category term='meetings' />
    <content type='text/html' mode='escaped'>October 15&lt;br /&gt;Tomoko Suda, &quot;18th century glass bonding repairs to porcelain&quot;&lt;br /&gt;Errol Manners, &quot;Continental cross-currents in English ceramics&quot;&lt;br /&gt;&lt;br /&gt;November 26&lt;br /&gt;Charlotte Jacob-Hanson, &quot;The Deux-Vivier?  A critical re-appraisal of the Duvivier family tree&quot;&lt;br /&gt;Robin Gurnett, &quot;Exports of ceramics to India, 1768-1818&quot;&lt;br /&gt;&lt;br /&gt;December 17&lt;br /&gt;Mary White, &quot;A Bovey Tracy caudle cup&quot;&lt;br /&gt;Michael Archer, &quot;Delftware chinoiserie of Bridlington&quot;&lt;br /&gt;&lt;br /&gt;January 21&lt;br /&gt;Felicity Marno, &quot;A previously unknown Derby bisque figure subject&quot;&lt;br /&gt;Francesca Altman, &quot;Orientalism and Englishness in 19th century ceramics&quot;&lt;br /&gt;&lt;br /&gt;February 18&lt;br /&gt;Jonathan Gray, &quot;Cambria clay source: some insights and attributions&quot;&lt;br /&gt;Mavis Watney, &quot;The Bow muses&quot;&lt;br /&gt;Emmanuel Cooper, &quot;Industrial devil&quot;&lt;br /&gt;&lt;br /&gt;March 18&lt;br /&gt;A miscellany of pieces.  Members are invited to bring up to 2 pieces from their own collections.&lt;br /&gt;&lt;br /&gt;April 22&lt;br /&gt;Annual general meeting&lt;br /&gt;Dr. Christopher Holloway, &quot;Unrecorded Caughley&quot;&lt;br /&gt;Diana Edwards, &quot;A cache of salt glaze excavated at Cockpit Hill, Derby&quot;&lt;br /&gt;&lt;br /&gt;All talks are at Courtauld Institute of Art, Somerset House, The Strand, London, at 2:30 pm</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Crazed glazes</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:19875</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/19875.html' />
    <created>2005-10-04T17:24:56Z</created>
    <issued>2005-10-04T13:08:00</issued>
    <modified>2005-10-04T17:39:28Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <category term='manufacture' />
    <content type='text/html' mode='escaped'>Answers from the CM Technical Staff from &lt;i&gt;Ceramics Monthly&lt;/i&gt; (October 2005, pp. 26-28)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Q&lt;/b&gt; I have started making pots and firing them at earthenware temperatures.  I am finding 80% of my pots are leaking when water is poured into them.  I am using the following recipes:&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Clay Body A&lt;/u&gt;&lt;br /&gt;Cone 06-04&lt;br /&gt;&lt;i&gt;fluxes&lt;/i&gt;&lt;br /&gt;whiting 5%&lt;br /&gt;talc 10%&lt;br /&gt;&lt;i&gt;filler&lt;/i&gt;&lt;br /&gt;silica (flint) 15%&lt;br /&gt;&lt;i&gt;clays&lt;/i&gt;&lt;br /&gt;ball clay 40%&lt;br /&gt;china clay 30%&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Clay Body B&lt;/u&gt;&lt;br /&gt;Cone 06-04&lt;br /&gt;feldspar 5%&lt;br /&gt;silica (flint) 15%&lt;br /&gt;&lt;i&gt;clays&lt;/i&gt;&lt;br /&gt;fireclay 10%&lt;br /&gt;china clay 20%&lt;br /&gt;ball clay 50%&lt;br /&gt;&lt;br /&gt;I am bisque firing to 900 degrees C (1652 degrees F) in 4 hours in an electric kiln and glaze firing to 1070 degrees C (1958 degrees F) in 5 hours, plus a one-hour soak.  &lt;br /&gt;&lt;br /&gt;&lt;b&gt;A&lt;/b&gt; The leakage you describe is probably caused by the combination of a crazed (finely cracked) glaze and a porous clay body.  The porous body is normal for earthenware, and not generally a problem as long as the glaze remains uncrazed.&lt;br /&gt;&lt;br /&gt;There are several things that can cause a glaze to craze . . .   The first is a mismatch in thermal expansion.  This occurs when the clay body and the glaze contract at different rates during the cooling phase of the glaze firing.  If the glaze contracts more than the clay body, then it will be stretched over the surface of the clay, causing it to craze.  &lt;br /&gt;&lt;br /&gt;Another cause of crazing is moisture expansion.  In this case, the crazing occurs sometime after the piece cools.  This delayed crazing can begin an hour, day, week or even a month after the firing.  If you&apos;ve ever watched the swelling of a dry sponge when it is placed in water, then you&apos;ve seen an exaggerated form of moisture expansion.  As the clay body absorbs water, whether from washing or from the air, it expands slightly, stretching the glaze and causing it to craze.&lt;br /&gt;&lt;br /&gt;. . . It&apos;s not the total amount of porosity that matters; it is the nature of the pore structure.  Some clay bodies (such as the low-fire white talc bodies used to manufacture wall tiles) can have a very high porosity yet not suffer from moisture expansion.  On the other hand, a high-fire body with very little absorption can suffer from both moisture expansion and leaking.  The ability of a pottery body to absorb water without expanding is one of the main criteria for defining maturity.&lt;br /&gt;&lt;br /&gt;In the case of the clay bodies you list, both have sufficient free quartz to provide enough contraction to ensure good glaze fit.  In other words, thermal expansion should be just fine on these bodies . . .  On the other hand, neither has enough alkaline earth content to prevent delayed moisture expansion.  &lt;b&gt;As a general rule of thumb, the combined talc, whiting and quartz contents in a low-fire body should equal about 40-50% of the dry weight of the body.  The other 50-60% of the body would be made up of a blend of clays.&lt;/b&gt;  Juging from your current recipes, you have access to kaolin, ball clay and fire clay, which is an excellent group of clays for blending.  The kaolin will give you the whitest body, the ball clay will make the body more plastic (malleable), and the fireclay will provide the ability to stand up, and also tend to make the clay body more forgiving during fabrication and drying.  You can blend these in whatever proportion gives you the color and workability you want.  Here is a potential clay body you might try:&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Pinnell Test Body&lt;/u&gt;&lt;br /&gt;Cone 06-04&lt;br /&gt;&lt;i&gt;fluxes&lt;/i&gt;&lt;br /&gt;whiting 5%&lt;br /&gt;talc 30%&lt;br /&gt;&lt;i&gt;filler&lt;/i&gt;&lt;br /&gt;silica 5%&lt;br /&gt;&lt;i&gt;clays&lt;/i&gt;&lt;br /&gt;kaolin 10%&lt;br /&gt;ball clay 20%&lt;br /&gt;fireclay 30%&lt;br /&gt;&lt;br /&gt;. . . What if this recipe doesn&apos;t work?  It is not unusual for a low-fire white or buff body to have up to 50% of its content consist of fluxes (talc, whiting) and fillers (quartz).  If the glaze initially fits but suffers from delayed crazing, you could either raise your firing temperature a bit (1100 degrees C/2012 degrees F might be enough to take care of the problem), or you could readjust the clay body as described above.&lt;br /&gt;&lt;i&gt;Peter Pinnell&lt;/i&gt;&lt;br /&gt;University of Nebraska</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Frank Beardmore&apos;s Sutherland Pottery, Fenton, Staffs. (1901-1916)</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:19487</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/19487.html' />
    <created>2005-09-21T20:50:22Z</created>
    <issued>2005-09-21T16:43:00</issued>
    <modified>2005-09-26T20:51:31Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>Judith and Richard Wagner.  &lt;i&gt;Frank Beardmore: A Potter&apos;s Tale&lt;/i&gt;.  2005.    &lt;br /&gt;&lt;br /&gt;This CD documents Frank Beardmore&apos;s relatively small Sutherland pottery in Fenton (1901-1916) through historical data and antique examples of his wares.  The Wagners&apos; interest in Frank Beardmore dates back to archival work for their  book on the Adams potteries of Staffordshire.  A large number of Frank Beardmore &amp; Co. engravings for souvenir coupe plates ended up in Adams&apos; stock.  &quot;Beardmore edge&quot; coupe engravings were combined with  Adams backstamps (&lt;i&gt;Adams Ceramics&lt;/i&gt;, pp. 248-249).&lt;br /&gt;&lt;br /&gt;Chapter 1 (pp. 1-20) describes the Beardmore family and their pottery.  Beardmore family records include those of writer Arnold Bennett, whose sister married Frank Beardmore, and Beardmore&apos;s son George, who also became a writer.&lt;br /&gt;&lt;br /&gt;Chapter 2 (pp. 21-60) illustrates Sutherland Pottery wares.  Souvenir wares are presented in Chapter 3 (pp. 61-88).  The most common Beardmore wares occurring in the U.S. are printed souvenir wares, including the frequently seen coupe-shaped plates made for the George H. Bowman Co. of Cleveland and New York.  Other production included Art Nouveau-style Sutherland Art Ware and badged whiskey wares.  &lt;br /&gt;&lt;br /&gt;The only two known surviving Beardmore catalogs are reprinted in Appendix A (artistic pottery, pp. 89-114) and B (hotel ware, pp. 115-126).  Although the art ware catalog was advertised as containing the firm&apos;s latest shapes and designs, Beardmore&apos;s Sutherland Pottery also produced shapes and patterns from related firms Hulme &amp; Christie (1893-1900) and Christie &amp; Beardmore (1900-1901).  Available printed table and toilet wares also included 27 patterns and 5 dinnerware and 4 toiletware shapes from the late firm Brownfield &amp; Sons (ca. 1871-1891).  Brownfield&apos;s colors (flown neutral, flown green, flown blue, Berlin blue, and chocolate) reflect both the Japanese style of the 1870s and 1880s and the flow blue revival at the turn of the 20th century.  The hotelware catalog offered tea and table wares with rolled rims in badge and lines of any color.  Toilet wares were available badged in any color and finished in gold.&lt;br /&gt;&lt;br /&gt;The Wagners are co-authors of &lt;i&gt;Adams Ceramics&lt;/i&gt; (Schiffer Books, 1999) and editors of the Transferware Collectors&apos; Club quarterly bulletin.&lt;br /&gt;&lt;br /&gt;135+ pp., 220+ color photos, historic b/w photos, index.&lt;br /&gt;pdf format requiring Adobe Acrobat 5.0 or higher (free download)&lt;br /&gt;$25 postpaid to U. S. addresses&lt;br /&gt;&lt;br /&gt;Contact the Wagners&lt;br /&gt;bygones@gte.net&lt;br /&gt;Bygones&lt;br /&gt;PO Box 1558&lt;br /&gt;North Bend, OR 97459</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Meetings</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:19406</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/19406.html' />
    <created>2005-09-07T16:22:15Z</created>
    <issued>2005-09-07T11:36:00</issued>
    <modified>2005-09-07T16:26:38Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>&lt;u&gt;Passion for the Potteries: The Reginald Haggar Centenary Symposium&lt;/u&gt;&lt;br /&gt;The Potteries Museum &amp; Art Gallery, Stoke-on-Trent&lt;br /&gt;Saturday, November 12, 2005&lt;br /&gt;&lt;br /&gt;A one-day symposium will mark the centenary of the birth of Reginald Haggar, designer, painter, scholar, and teacher.  His evocative paintings of the Potteries landscape, his authorative writing on ceramics, and his inspirational teaching are fondly remembered.  The symposium accompanies an exhibit at the Potteries Museum from October 15, 2005, to January 15, 2006.&lt;br /&gt;&lt;br /&gt;Lectures include:&lt;br /&gt;&quot;Haggar the scholar, man, and teacher,&quot; Christopher Wakeling&lt;br /&gt;&quot;Haggar and the historic landscape of North Staffordshire,&quot; Andrew Dobraszczyc&lt;br /&gt;&quot;North Staffordshire architecture in a wider context,&quot; Ted Cullinan&lt;br /&gt;&quot;Haggar: Art, design, &amp; ceramics,&quot; Reginald Haggar Memorial Lecture by Paul Atterbury (this lecture only is free)&lt;br /&gt;&lt;br /&gt;Schedule 10:00 am-5:00 pm&lt;br /&gt;£15 registration includes afternoon tea; lunch on your own.&lt;br /&gt;Send stamped, self-addressed envelope with cheque in pounds sterling to:&lt;br /&gt;The Reginald Haggar Centenary Symposium&lt;br /&gt;Potteries Museum &amp; Art Gallery&lt;br /&gt;Hanley&lt;br /&gt;Stoke-on-Trent ST1 3DW&lt;br /&gt;U.K. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;San Francisco Ceramic Circle 2006 Seminar&lt;/u&gt;&lt;br /&gt;&quot;Ceramics: In Search of Origins&quot;&lt;br /&gt;Sources, Influences, and New Directions in Collecting China: The Netherlands and England&lt;br /&gt;Palace of the Legion of Honor, Lincoln Park, San Francisco&lt;br /&gt;Friday-Saturday, January 20-21, 2006&lt;br /&gt;&lt;br /&gt;Speakers are Hilary Young, Keeper of Ceramics and Glass, V&amp;A; Daniel Van Dam, Curator of Ceramics, Rijksmuseum, Amsterdam; and Leslie Grigsby, Curator of Ceramics and Glass, Winterthur.  Each will give two lectures.&lt;br /&gt;&lt;br /&gt;Hilary Young: &quot;Modelers and Three-Dimensional Design&quot; and &quot;Painters Decoration&quot;&lt;br /&gt;Daniel Van Dam: &quot;Overview: Delft in the Rijksmuseum&quot; and &quot;Red Stonewares in Holland, Germany, and England&quot;&lt;br /&gt;Leslie Grigsby: &quot;Chinese Influences on English Ceramic Design&quot; and &quot;Published Images and Other European Sources that Influenced English Ceramic Design&quot;&lt;br /&gt;&lt;br /&gt;Full details available at the end of October:&lt;br /&gt;&lt;a href=&quot;http://www.patricianantiques.com/sfcc.html&quot;&gt;http://www.patricianantiques.com/sfcc.h&lt;wbr /&gt;tml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Northern Ceramic Society Summer School&lt;/u&gt;&lt;br /&gt;&quot;Looking at the Evidence&quot;&lt;br /&gt;University of Chester, August 8-13, 2006&lt;br /&gt;&lt;br /&gt;The course will examine what documents, archaeology, scientific analysis, and connoisseurship can contribute to understanding ceramics and ceramic history.  Fakes, forgeries, and redecoration will be addressed.  &lt;br /&gt;&lt;br /&gt;Lectures:&lt;br /&gt;&quot;Absence of Evidence Is Not Evidence of Absence: Unearthing Staffordshire Pottery,&quot; David Barker&lt;br /&gt;&quot;Good Cross Chapel: Looking for the Evidence,&quot; John Bussey&lt;br /&gt;&quot;Ceramic Analysis: How To Be a Healthy and Challenging Sceptic,&quot; Simon Chenery&lt;br /&gt;&quot;Useful Knowledge?&quot; Robin Emmerson&lt;br /&gt;&quot;Retail Archaeology: Purchasing the Evidence,&quot; Peter Francis&lt;br /&gt;&quot;How To Write a Bible: Collecting and Assessing the Evidence,&quot; Geoffrey Godden&lt;br /&gt;&quot;An American Pottery in Wales?  Looking at the Evidence,&quot; Jonathan Gray&lt;br /&gt;&quot;What Is Industrial Scottish Pottery?&quot; George Haggerty&lt;br /&gt;&quot;The Green Green Glass of Chrome,&quot; Pat Halfpenny&lt;br /&gt;&quot;The Distribution and Consumption of British Ceramics in North America: Unique Insights from Archaeology,&quot; Terry Majewski&lt;br /&gt;&quot;Staffordshire&apos;s Trade with the USA, 1806-1833: The Hard Facts,&quot; Roger Pomfret&lt;br /&gt;&quot;Redecoration: When and Where,&quot; John Sandon&lt;br /&gt;&quot;Fakes, Forgeries, and Misunderstandings,&quot; Peter Williams&lt;br /&gt;&lt;br /&gt;Members will be able to handle sherds from excavations, including three 18th-century porcelain factories.  The group will visit Rode Hall, home of the Wilbrahams since 1669, with its splendid ceramics collection and gardens.  One evening will be available for members to present their own research.  Members may bring two pieces for display and discussion at the pot session.  The course begins at 6:00 pm on Tuesday, August 8, with a wine reception and concludes after breakfast on Sunday, August 13.  &lt;br /&gt;&lt;br /&gt;The University of Chester is close to the centre of the city of Chester, with its Roman remains, medieval walls, and unique Rows.  Chester is easily reached by road, rail, and Manchester International Airport.  Accommodation is in single student-style study bedrooms with simple en suite facilities.  Residential fee of £340 includes accommodation, all meals, tea and coffee breaks, travel and admission costs for the visit, and tuition fees.  Nonresidential fee of £250 includes all of the above, except bed and breakfast.  Payment by personal cheque, banker&apos;s draft, or traveller&apos;s cheque drawn in pounds sterling on a U.K. bank account.  No credit card payment accepted.&lt;br /&gt;&lt;br /&gt;To reserve a place in the summer school, send £50 nonreturnable deposit (payable to Northern Ceramic Society) with name, address, email address, and telephone number to:&lt;br /&gt;Summer School Organiser&lt;br /&gt;9 Newton Lane&lt;br /&gt;Chester CH2 3RB&lt;br /&gt;U.K.&lt;br /&gt;&lt;br /&gt;Early booking is recommended as places are limited.  Final payment due by July 1, 2006.</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Dudson Museum Hotelwares Exhibit</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:18973</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/18973.html' />
    <issued>2005-09-07T11:36:00</issued>
    <modified>2005-09-07T15:45:33Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>New permanent exhibit at the Dudson Museum, Stoke-on-Trent&lt;br /&gt;&lt;br /&gt;The Dudson company has been a family business for eight generations, since 1800.  After a long history of stoneware and other production, in 1891 the company specialized in hotelware or catering ware.  The upstairs exhibits show these 20th-21st century wares, including those for railroads, shipping lines, airlines, hotels, and restaurants.</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>American Ceramic Circle, Peabody Essex Museum, Salem, Mass., November 3-6, 2005</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:18806</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/18806.html' />
    <issued>2005-08-18T15:43:00</issued>
    <modified>2005-08-18T20:04:39Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>&lt;u&gt;Thursday, November 3, 2005&lt;/u&gt;&lt;br /&gt;Pre-symposium trip (limited to 47 members)&lt;br /&gt;Visits to private collections and workshops on the Lloyd and Vivian Hawes collection at Strawbery Banke.&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Friday, November 4, 2005&lt;/u&gt;&lt;br /&gt;&quot;Interrelations among the Arts of China&quot;&lt;br /&gt;Robert Mowry, Harvard University&lt;br /&gt;&lt;br /&gt;&quot;Delft Ware as Japanese Tea Utensils&quot;&lt;br /&gt;Hiroko Nishida, Nezu Institute of Fine Arts, Tokyo&lt;br /&gt;&lt;br /&gt;&quot;Visions of Japan in 17th-Century Europe: New Directions for Ceramics and Silk&quot;&lt;br /&gt;Susan Miller, New York&lt;br /&gt;&lt;br /&gt;&quot;The Porcelain Collections of Augustus the Strong: Presentation and Taste in Baroque Court Culture&quot;&lt;br /&gt;Eva Ströber, East Asian Porcelain, State Art Collections, Dresden&lt;br /&gt;&lt;br /&gt;&quot;European Decoration on Asian Porcelain&quot;&lt;br /&gt;Helen Espir, London&lt;br /&gt;&lt;br /&gt;&quot;Merchants and Mariners: Salem&apos;s China Trade, 1783-1812&quot;&lt;br /&gt;Jessica Lanier, New York&lt;br /&gt;&lt;br /&gt;&quot;Cargo and Adventure: Rhode Island and the China Trade&quot;&lt;br /&gt;Thomas Michie, Los Angeles County Museum of Art&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Saturday, November 5, 2005&lt;/u&gt;&lt;br /&gt;Morning tours of a late Qing dynasty merchant&apos;s house and of Asian export reserve collections at the Peabody Essex Museum&lt;br /&gt;&lt;br /&gt;&quot;&apos;. . . it is proposed to make a cabinet&apos;: Building the Asian Export Collections at the Peabody Essex Museum&quot;&lt;br /&gt;William Sargent, Peabody Essex&lt;br /&gt;&lt;br /&gt;&quot;Debates on the Authentic and the Beautiful: Japanese Ceramics in the Victorian Era&quot;&lt;br /&gt;Andrew Maske, Peabody Essex&lt;br /&gt;&lt;br /&gt;&quot;Gourds and Glazes: Taxile Doat&apos;s Absorption of Asian Ceramic Arts&quot;&lt;br /&gt;David Conradsen, St. Louis Art Museum&lt;br /&gt;&lt;br /&gt;&quot;Shoji Hamada in the West&quot;&lt;br /&gt;Edmund de Waal, University of Westminster potter&lt;br /&gt;&lt;br /&gt;&quot;My Journey&quot;&lt;br /&gt;Warren MacKenzie, potter&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Sunday, November 6, 2005&lt;/u&gt;&lt;br /&gt;Post-symposium tours of private collections&lt;br /&gt;&lt;br /&gt;$195 registration for American Ceramic Circle members, $210 for guests; Saturday banquet $100 additional, tours $50 additional (tour participation by lottery)&lt;br /&gt;Registration (not incl. tours) to &lt;br /&gt;American Ceramic Circle&lt;br /&gt;PO Box 224&lt;br /&gt;Williamsburg, VA 23187-0224&lt;br /&gt;americanceramiccircle@verizon.net&lt;br /&gt;Conference Hotel: Hawthorne Hotel, Salem, Massachusetts, $129/night until October 13&lt;br /&gt;1.800.729.7829</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>from The Magazine Antiques (August 2005)</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:18502</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/18502.html' />
    <issued>2005-08-17T14:08:00</issued>
    <modified>2005-08-17T18:19:34Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>Exhibit: &quot;Centers and Edges: Modern Ceramic Design and Sculpture, 1880-1980&quot;&lt;br /&gt;to September 18, 2005&lt;br /&gt;David and Alfred Smart Museum&lt;br /&gt;University of Chicago</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Northern Ceramic Society winter weekend, Jan. 27-29, 2006, Dinner and Dessert</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:17673</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/17673.html' />
    <issued>2005-06-17T20:45:00</issued>
    <modified>2005-06-18T01:06:20Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>3rd Northern Ceramic Society winter weekend&lt;br /&gt;&quot;Dinner and Dessert: Ceramics for the Table&quot;&lt;br /&gt;January 27-29, 2006&lt;br /&gt;Manchester, U.K.&lt;br /&gt;&lt;br /&gt;&lt;font size=&quot;2&quot;&gt;&lt;br /&gt;&lt;u&gt;Saturday lectures&lt;/u&gt;&lt;br /&gt;&lt;br /&gt;Robin Emmerson&lt;br /&gt;Dinner is Served&lt;br /&gt;&lt;br /&gt;Alastair Gibson&lt;br /&gt;400 Years of Chinese Tablewares: The Porcelain Trade with the West&lt;br /&gt;&lt;br /&gt;Maurice Hillis&lt;br /&gt;Made in England: Ceramics for the 18th C Dinner Table&lt;br /&gt;&lt;br /&gt;Peter Brears&lt;br /&gt;Just Desserts&lt;br /&gt;&lt;br /&gt;Simon Spero&lt;br /&gt;Sauce for the Goose . . .&lt;br /&gt;&lt;br /&gt;Geoffrey Godden&lt;br /&gt;English Porcelain Wares, ca. 1770-1850&lt;br /&gt;&lt;br /&gt;Deborah Skinner&lt;br /&gt;Grand Designs: Ironstone China for the Tables of the World&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Saturday evening&lt;/u&gt;&lt;br /&gt;&lt;br /&gt;The Re-match: Geoffrey Godden interviews Simon Spero on his choice of desert island pots.&lt;br /&gt;&lt;br /&gt;Seminar members are invited to bring along pieces for display and discussion at a pot session.  &lt;br /&gt;&lt;br /&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;The host site Chancellors is the University of Manchester&apos;s residential conference center, 3 mi from Manchester city center and easily reached by road, rail, or air.  Accommodation consists of single bedrooms with en-suite bathroom, TV, telephone, and tea/coffee makers.  &lt;br /&gt;&lt;br /&gt;£185 cost includes accommodation, tuition, tea/coffee, and meals.  There are a few non-residential places at £175.  Send nonrefundable £30 deposit with check (no credit cards) payable to The Northern Ceramic Society.  Final payment due before December 1, 2005.  May be restricted to NCS members.  The 2005 winter weekend was fully booked.&lt;br /&gt;&lt;br /&gt;Send deposit with name, address, zip code, country, telephone no., and email address to:&lt;br /&gt;&lt;br /&gt;Seminar Organiser&lt;br /&gt;9 Newton Lane&lt;br /&gt;Chester CH2 3RB&lt;br /&gt;U.K.</content>
  </entry>
  <entry xmlns="http://purl.org/atom/ns#">
    <title mode='escaped'>Virtual ceramic exhibits at the Brighton Museum</title>
    <id>urn:lj:greatestjournal.com:atom1:trentonpots:17495</id>
    <link rel='alternate' type='text/html' href='http://www.greatestjournal.com/users/trentonpots/17495.html' />
    <issued>2005-06-14T11:56:00</issued>
    <modified>2005-06-14T16:02:03Z</modified>
    <author>
      <name>trentonpots</name>
    </author>
    <content type='text/html' mode='escaped'>Two exhibits are currently online:&lt;br /&gt;&quot;Black Britannia&quot; was a temporary exhibition based on the Willet Collection of Popular Pottery depicting black Britons&apos; lives in ceramics.&lt;br /&gt;&lt;br /&gt;&quot;The Weaker Vessel?&quot; looks at three areas of womens lives throughout the 18th, 19th and 20th century: their roles at work and in the home, in the production of ceramics, and as reformers.&lt;br /&gt;&lt;br /&gt;Brighton Museum&lt;br /&gt;&lt;a href=&quot;http://www.virtualmuseum.info/collections&quot;&gt;http://www.virtualmuseum.info/collectio&lt;wbr /&gt;ns&lt;/a&gt;&lt;br /&gt;Go to Themes&amp;gt;All Themes&amp;gt;exhibit name&lt;br /&gt;&lt;br /&gt;Stella Beddoe&lt;br /&gt;Keeper of Decorative Art</content>
  </entry>
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